Guitarist Celisse Henderson, meanwhile, takes the vocal and instrumental spotlight on the standout "Help Me," transforming it into a more languid, blues-oriented number with spacious arrangements. At various times, she's joined by Lucius, Marcus Mumford on percussion, Wynonna Judd on backing vocals, Allison Russell on clarinet, Carlile's collaborators Tim and Phil Hanseroth, and the band SistaStrings.Ī gorgeous, sparse "Amelia" features prominent contributions from Blake Mills and Dawes' Taylor Goldsmith buoyed by the crew of onstage vocalists, together the pair nail the searing guitar melodies and lyrical desolation. It was common knowledge that Mitchell also sang at these get-togethers, although it was never clear whether she'd ever sing in public again.īut At Newport isn't just about welcoming Mitchell back to the stage - it's also about showing Mitchell's legacy in action and how younger generations of musicians carry forth her spirit of imagination and fearless reconfiguration. Mitchell's Sunday night set at Newport had been advertised in advance as "Brandi Carlile + Friends." This was technically true, as Carlile introduced the onstage hootenanny as a recreation of the invite-only Joni Jams - the recurring private gatherings in Mitchell's Southern California living room where guests such as Carlile, Harry Styles, Dolly Parton and Chaka Khan came together for joyful, restorative singalongs. At the end of the song, Mitchell laughs and laughs merrily - clearly delighted to be back onstage surrounded by friends and music. On this night, she fronted a group of musical admirers in a sing-along of "The Circle Game," taking lead vocal on the verses - timeless meditations on the little milestones that mark the passage of time - in a low, velvety voice. Wearing a jaunty blue beret and sunglasses, her cornsilk-white hair tied into elegant pigtails, Mitchell sat on a plush, gold-trimmed chair as the performer of honor. Mitchell's presence was a complete surprise, as she had retreated from the spotlight after a 2015 aneurysm additionally, the Newport gig was her first full-length concert since 2000.Īt Newport feels like a celebration of her public return - an exuberant and supportive performance resembling a well-rehearsed jam taking place at a party. When Mitchell finally returned to the Newport Folk Festival on July 24, 2022, after a 53-year absence - a performance documented on the new live album At Newport - she also ended her set with "The Circle Game." Decades later, however, the crowd responded to her presence uniformly positively - with awe, gratitude, excitement and even tears. The trade magazine Cash Box complimented Mitchell's set and astutely noted "she is on her way to becoming a star." However, a review from the Hartford Courant noted that this burgeoning popularity came at a price: "Hecklers in the back" specifically "urged Miss Mitchell to sing 'Circle Game' over and over." No doubt much to the dismay of these critics, Mitchell played the song to close out her set. He wants to give a second chance to their relationship.Music Reviews Brian Blade the bandleader returns for a ride down 'Kings Highway' He still hopes that his girl would come to him. He ends the song by saying that “got time” and “wait for tomorrow”. Secretly he wishes her to come back to him. In spite of all the pain, the writer still has second thoughts about ending his relationship with her. However, he is not able to take the pain because he loves her too much. By this he means that his lover is dead to him. In both cases the girls are dead and the pain is worse. Because of her betrayal, the writer wants to believe that she is no more. The other is his scenario, where his girl has betrayed. One is the true story, where the girl was found dead in California. When he says “the dogs do find her”, he means two scenarios. Here the writer uses a beautiful metaphor. He wants his investigative spirit to find her. He is disheartened that his girl is not responding him. The writer has no response from his girl. READ: The meaning of the song «Interstate Love Song» by Stone Temple Pilots
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